home *** CD-ROM | disk | FTP | other *** search
- @H@3CARNIVAL OF MONSTERS REVIEW
- @A@2The Bargee
- @FHnewcentury24
- @FAdiamond24
- @FMpearl08
- 2
- {2@1
- 1Heres is my review of the BBC video release of the Doctor Who adventure
- 1CARNIVAL OF MONSTERS. First some details on the video:
- 1
- 1Jon Pertwee's 1973 adventure (broadcast 27th January to 17th February),
- 1CARNIVAL OF MONSTERS is a special video release for several reasons. Firstly
- 1episode 2 is not the standard finished British edit but a rough edit, which
- 1had to be cut before transmission due to time reasons. Hence this episode
- 1contains additional scenes and the special treat of the junked Delaware
- 1version of the theme tune (never before heard on a Who episode in the UK !).
- 1The reason that this special episode was not junked was because it was
- 1mistakenly (but luckily) sent to Australia instead of the proper edit of
- 1episode 2. Now I may be wrong, but was I really the only person to spot the
- 1fact that one of the `new' scenes in the Australian edit of part 2 was
- 1actualy used in part one (was it just my version ? -spooky). This is a shame,
- 1because it gives an impression that the Beeb couldn't be bothered about
- 1sorting the thing out.
- 1Another treat of this video is the new inner-sleeve information compiled by
- 1the expert hands of Marvel UKs DOCTOR WHO MAGAZINE. Admitedly alot more
- 1could have been made of this opportunity instead of the scant details we are
- 1given (in a big font - scandalous), but it is definately a step in the right
- 1direction for the video releases and I would be very surprised if the BBC did
- 1not continue with this. Why is it in black and white though ? If all the BBC
- 1adverts are in colour why does this much worthier information get relegated
- 1to grey scales ?
- 1The final bonus is the inclusion of three, large, glossy, colourful collector
- 1cards, containing information on the main characters in this adventure. When
- 1you put these cards together with another three from the cover of DWM issue
- 1224 you get a great picture (taken from the videos cover) of the adventure.
- 1These cards are a great idea and are sure to become much sought after
- 1collectors items in the future, so I hope the BBC deside to use them again
- 1with future releases. Why even limit the idea to Doctor Who ?
- 1
- 1All the above should ensure that the video sells well and the great Colin
- 1Howard cover should make it look great on any shelve. Colin's likeness of Jon
- 1Pertwee may not be great, but I'll gladly let him off, because the cover is
- 1so bright, colourful (well matched colours I may add) and atmospheric. It
- 1really suits the adventure well, describing it perfectly in a limited space
- 1and the SS Bernice looks brilliant.
- 1What of the story itself. Well it certainly has a good pedigree. Written by
- 1the master of Who, Robert Holmes and directed by Barry (always commited)
- 1Letts. Admitedly this is not Holmes's finest script, but his usual excellent
- 1standard means that it is certainly not a poor story. It contains all the
- 1hall-marks of Holmes: good, strong story telling, perfect dialouge and a
- 1sekection of strong, individual main characters. Letts's direction is fun and
- 1jokey and the cast are obviously enjoying themselves because of it. Pertwee
- 1and Manning certainly seem to get on well with their producers direction.
- 1Carnival represents one of Pertwee/Mannings best performances in the series.
- 1The Doctor really stands out with a sense of power and JP delivers his lines
- 1spot on.
- 1
- 1The story is the most seventies I have ever seen. It really fits in with the
- 1early part of the decade. It is bright, brash and gordy, but always in the
- 1nicest possible way. Because the script calls for special effects that are
- 1way behond the budget (more later) the slightly tacky feel to the whole
- 1proceedings allows us to gloss over the dodgy points. It is a very enjoyable
- 1story, that doesn't aim to be overly complicated and therefore it mainly
- 1suceeds.
- 1
- 1The beginnings of the Doctor's adventure on the SS Bernice are excellent. The
- 1fact that an actual ship has been used helps alot and it gives the
- 1proceedings a more realistic feel than if sets had simply been used. Because
- 1of this realism of genuine 1920s (like BLACK ORCHID) there is a refreshing
- 1contrast between the SS Bernice and the Inter Miner scenes. Holmes may prefer
- 1writing futuristic stories, but like in THE TIME WARRIOR and THE TALONS OF
- 1WENG-CHIANG, he prooves his skilled capability of writing historic stories
- 1(even if they are never purely historic) in the SS Bernice scenes. This whole
- 1part of the story is claustrophobic and can be quite annoying as the crew go
- 1about repeating the same events over and over again. Luckily this never falls
- 1into the trap of becoming boring (as say THE SPACE PIRATES), because of
- 1fresh camera angles and some tongue in cheek humour that often takes the
- 1mickey of its 1920s subjects.
- 1The Inter Minor scenes couldn't be more different (and complementary). They
- 1contain fantastic characters like the musical Shirna and the comical Vorg
- 1(expertly played by Leslie Dwyer, who easily steels the show). These show-
- 1people look as though they are dressed in leftovers from a fancy dress shop,
- 1but this only adds to the appeal. The Minorans are particualy well
- 1characterised, but are probably one of the poorest realised alien races of
- 1all time. The Draconians and Ogrons (from the same period) are realistic
- 1examples of humanoid monsters which still look good today, but the Minorans,
- 1who are of a similar style of appearance, fail miserably. It is unforgiveable
- 1how poorly their bald patchs are put on and the joins are clearly visable
- 1along their foreheads and particualy (especialy later on) under their ears.
- 1Barry Letts must have been very disapointed with these characters, as he is
- 1all for realism (see MORE THAN 30 YEARS IN THE TARDIS), but he still gives us
- 1close ups of the actors faces with the joins on show, in detail. Also (yes
- 1theres more!), why did they have to where gloves for grey hands, as this
- 1looks very poor in deed, because they frequently wrinkle up. All this aside,
- 1I enjoyed the characters of Zarb and Kalik, played by the excellent Michael
- 1(Genesis's Davros) Wisher.
- 1
- 1The Drashigs are not as bad as you may have thought. For hand puppets they
- 1work quite well, especialy in their home environment. The contrast between
- 1film and video tape, obviously looks bad overlaid, but the film on film
- 1scenes, like the Drashig bursting through into the outside of the SS Bernice
- 1are quite good. Sadly the way the Drashigs bursts through hold (a great
- 1effect) is really let down by Pertwee cowering in the corner alone and the
- 1contast with film and video (I'm sorry but this was the best way I could
- 1describe it). The Drashigs are good alien foes, but like the giant maggots of
- 1the GREEN DEATH they are one story only creatures. There homeland, for once
- 1also looks alien, instead of just a quarry and it is quite believe that
- 1Pertwee and Manning are actualy there. It is a pity that they couldn't have
- 1stayed in there home lands to add realism, but of course Doctor Who has never
- 1pretended it has an exhaustable budget.
- 1
- 1I was beginning to feel that we had come to the end with the video releases
- 1and the BBC had released all the decent Who they had. I was wrong. Carnival
- 1prooves that there are still a good quantity, of good stories to go
- 1(especialy from the Pertwee and Baker years). This one is worth getting.
- 1
- 1Comment: Carnival has a few shakey effects, but it is fun, well written and
- 1 performed and it rarely drags on, like even the best of stories.
- 1
- 1Rating: 78%
- X0*]
-